Roberta Bryce Wayne (
tofightinjustice) wrote2012-07-14 11:06 pm
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[Sunnydale AU]
When you say LA, people think Hollywood, stars, beaches.
This is not that part of LA.
This is the part of LA that the tour books recommend you stay out of, the part of LA where you probably don't want to be a pedestrian at this hour of the night unless you have some kind of business. Usually the kind of business you don't want the police to know about.
Bryce has been patrolling rooftops and alleyways for hours, but it seems to be a quiet night.
This is not that part of LA.
This is the part of LA that the tour books recommend you stay out of, the part of LA where you probably don't want to be a pedestrian at this hour of the night unless you have some kind of business. Usually the kind of business you don't want the police to know about.
Bryce has been patrolling rooftops and alleyways for hours, but it seems to be a quiet night.
NONCON WARNING FROM HELL
But there are a few things that might stand out about it. First, that face is familiar, if Bryce can catch a glimpse of it; second, he has his mouth wrapped around the barrel of a gun.
And third, not surprisingly under the circumstances, he is shaking with terror.
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--Not well, apparently.
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(The odds that this guy plans to let him live are... not high. He knew that the minute he saw the gun, and oh, wasn't that a surprise. But he's not gonna go down without a fight.
Not that thinking that helped him much the last time.)
The sounds they make—a soft laugh, a softer whimper—don't carry to the roof. But the emotional content is probably still clear.
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She lands heavily, knees first, on the gunman's shoulders.
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Laney jerks to the side as fast as he can.
He isn't quite fast enough.
When the gun goes off, the bullet tears a hole in his cheek and the barrel rips free. For a moment, all he can think about is how much it hurts.
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Crack.
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He presses a hand to the side of his face, which only makes it hurt worse. Fuck, fuck.
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Bryce punches him in the face, hard enough to unbalance him, and tackles him to the ground. In a minute he'll be too dazed to get up.
Once she's sure he's not going anywhere any time soon, she takes the gun and turns to Delaney.
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The uncovered side of his face, the whole side, is grinning.
"Thanks," he says with remarkable clarity.
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Her voice is deeper than normal and almost entirely flat.
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...key word: tries.
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"Don't move. And stop talking. I'll get help."
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At least he does quit trying to haul himself up the wall.
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The gunman stirs. Scowling under her mask, she kicks him over onto his stomach, digs in one of her pouches, and pulls out a zip-tie to secure his hands.
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He goes back to trying to pick himself up. It's slow and shaky, but he's getting there.
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"Sit. Down."
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He shakes his head.
"Look—thank you. Really, thank you. But" ('ut) "no – hhfucking – cops."
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"Fine. Stop moving."
She rummages in another pouch and pulls out a wad of gauze and a tiny roll of tape.
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After a few minutes, he's bandaged up, although blood is already soaking through the gauze.
"You need stitches as soon as possible. Can you get to a hospital? Don't talk. Just nod."
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...and shrugs. Hell if he knows.
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He is more than capable of sitting in a cab. Hell, he can even pay for one, and he'd be glad to because he has some cash he needs to get rid of before he goes home. But if she doesn't want him talking, he can't exactly call one, can he?
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"I'll call it for you."
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She gives the gunman one more glance to make sure he's not going anywhere, then moves towards the mouth of the alley. It's LA, and there are bars in the area; she ought to be able to flag down a taxi.
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She doesn't talk.
When she finally spots a cab, she puts up an arm to flag it down.
"You can tell him where to go," she says, as the cab starts to slow. "Just try not to make that worse. You ought to go to a hospital."
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As he gets in the cab, there is a pause before he closes the door. He looks back at her with a smile in his eyes, presses bloodstained fingers to bloodstained lips, and tips that hand toward her.
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